I'm a designer focused on visual identity and concept driven work, guided by curiosity to find something unexpected. I love visual language that's expressive and pushes toward the unfamiliar, whether that shapes the entire concept or shows up in the details.
I've worked in both studio and independent contexts across cultural and commercial projects, developing strategy-led identities from concept to execution. I thrive in settings where there's space to explore and discover solutions rather than execute predetermined ones. My work has been recognized by European Design Awards, Art Directors Club of Europe and featured in AIGA Eye on Design magazine, Monotype Trends Report, Graphics on the Move: Dynamic Branding, Type01 and BrandNew. Based in Amsterdam, the Netherlands.
Days
Created at G2K
Days is a creative production company for brands and organizations, creating moving, still, real, generated, documentary and fictional imagery. It's part of G2K. 
Days' work captures fleeting moments with a calm, introspective quality that feels both nostalgic and refined. This became the basis for the visual identity, which features a flowing logotype that breaks away from rigid geometric lines, as if it were a signature mark. The supporting typeface is a serif, adding a narrative driven, editorial sensibility. Careful use of white space and copy that flows through the layout let the imagery lead, creating a slightly poetic tone. The color palette of blue, orange-red, and green references RGB screen based colors and adds energy, moving beyond the black-and-white aesthetic common in the industry.
Ohm
Created at G2K
Ohm is a modern office building in Groningen designed for how people work now. Focused on sustainability, quality materials and thoughtful facilities, it connects work, wellness and the surrounding environment seamlessly.
The visual identity is based on vibrancy, a quality that describes something full of energy and life. Named to reference the site's history as a power plant, the building's facade features rhythmic, pulsing windows that tie to the electrical unit ohm. The logo mirrors this rhythm, turning the facade's pattern into a distinctive mark. Vibrant neon accents pair with deeper tones reflecting the building's materials, while intentional white space and dynamic photography placement communicate a high-end, energetic character.
Ixly
Created at G2K
Ixly helps build teams by understanding who people really are and what drives them. Through science backed assessments and human centered technology, they provide insights that advance people, teams and organizations.
The concept centers around constant advancement: the projected potential that each person possesses, visualized through a dotted line. This creates a visual language that is both distinctive and flexible, easily applied across touchpoints while remaining ownable. To help the brand stand out in a predominantly tech heavy field, a warm color palette was paired with people led photography that feels approachable and real.
Snapsounds
Freelance
Photography: Martyna Jovaišaitė-Paukštė
Snapsounds is an audiovisual project by composer Domas Strupinskas, cinematographer Narvydas Naujalis, and sound engineer Tomas Verbaitis. Over a decade, they produced 25 music videos, each bringing a unique approach to the collaboration. This vinyl anthology marks the project's end. 
In filmmaking, black separates segments and creates a sense of pause; fades out the movie. It acts as a signal to the audience that the main feature is over and it’s time to leave the theatre. For Snapsounds, black is used symbolically to mark the end of the project. It provides a space for reflecting on what has been achieved and pays tribute to everyone who contributed. The two lines that create a notional black screen on the cover shift to the inner sleeve and act as a timeline displaying the whole sequence of the project.
Creative Europe Office
Created at Andstudio
Photography: Martyna Jovaišaitė-Paukštė
The Lithuanian office for the EU program 'Creative Europe', known as Kūrybiškos Europos Biuras, fosters cultural and linguistic diversity, promotes artistic collaboration among European professionals and supports the development and distribution of European content and media literacy. Despite offering countless cultural opportunities, its visual identity lacked the cultural resonance to reflect its wide-ranging work. 
The identity retains the EU flag concept but transforms it into squares that represent blank pages or empty spaces, symbolizing potential and new possibilities. The brand also incorporates additional elements, such as icons resembling 'blank pages', derived from the logotype's character. These icons depict the process of folding and communicate the concept of cultural growth on a daily basis.
Wisl
Created at Andstudio
Photography: Martyna Jovaišaitė-Paukštė
Wisl is a sports app dedicated to matching like minded, same level players. Its visual language is based on the idea of a huddle – an action of a team gathering together to strategize, motivate, or in the case of success, celebrate. 
Visually, the concept translates into a bouncy and dynamic logotype, lively characters which combine overlapping shapes into a huddling unity and ownable, active color palette. The key aspect of the design was to achieve the right balance between distinguishable, ownable, yet accessible visual language, ensuring an effortless user experience.
Rockit
Created at Andstudio
Photography: Martyna Jovaišaitė-Paukštė
Rockit is the prime space in Lithuania, where top fintech innovators, creators and founders build the future of Financial Technologies. 
As Rockit needed an identity that ensures its promise of being a leading tech startup organization, a bold wordmark logo was selected, instantly communicating a strong brand personality. The visual language is systematic and structured, yet still human, showing the rapid growth of the organization. The basis of that is visible through the main identity pattern, which derives from the logotype’s character and depicts the constant process of scaling.
Abundance Supreme
Freelance
'Abundance Supreme' is the debut album of Without Letters. The title can be interpreted in multiple ways: like in the Bible, abundance supreme. Or more simply, as infinite plentitude. Or, in a consumerist manner, as an excess of supply. 
The ironic title became the center of the visual as well, translating into a halo, an ironic symbol of holiness, repeated in abundance. The cover is flashing with diagonal, rhythmic typography, illustrating the fast pace of the album. As the tracks grasp a heavy 90s gabber and rave influence, it also infused the aesthetics of the cover, leaning towards an unapologetically maximalist look.